[wp_ad_camp_2] If it wasn’t for Juan Atkins, many of us might not have discovered the music known as techno. In the early 80’s he was the one to release the first techno record ever, next to his lauded work as
[wp_ad_camp_2] [wp_ad_camp_1] You currently live in Seattle, but originally you come from the Midwest. Could you tell us how you first got involved with the rave scene there and acid house in particular? I don’t remember just exactly how I
[wp_ad_camp_2] Your podcast.. It is insanely popular! How did it get so big? At first I thought it was some sort of mistake, hahahaha! Don’t get me wrong, this didn’t happen overnight, but once the growth started, it kept continuing
[wp_ad_camp_2] [wp_ad_camp_1] Italian born producer/dj, Manuel De Le Mare has spent years delivering money-shot releases and remixes, while marrying a lifetime of passion and dedication to his love of DJing. This ability within his musical sphere has pricked the interest
[wp_ad_camp_2] Where does your artist name come from? During the early to mid-80’s I went by Sir Swift. I was a Breaker, Beatboxer, Graffiti artist and DJ. But as my DJing progressed and I matured a little I realized it was time
[wp_ad_camp_2] Darran Bruce has been a supporter of the Seattle nightlife scene for many years and his ITV Live Mobile Studio is getting more and more attention. So therefore, we wanted to have a chat with the man who made
[wp_ad_camp_2] You recently stormed the scene with your new release ‘Just One Night’ which was on top of the charts for several weeks and supported by Armin Van Buuren, Dash Berlin, W&W and Leon Bolier. It came with a slightly
[wp_ad_camp_2] He co-founded Btwisted Records and has remixed artists like John Acquaviva, Warren Clarke feat. Michelle Weeks, Syndicate of Law feat. D-Train, David Amo & Julio Navas, Mauro Picotto, Les Schmitz, Maurizio Gubellini, Dhany from Benassi Bros, Topazz, Weekend Heroes and many
[wp_ad_camp_2] You are known as the co-founder of of R&S Records together with your partner Sabine Maes. It is known as one of the longest running labels in dance music history. How did you manage to keep the label relevant